5/31/2011

Some text messages from 2011 so far

Text messaging... the seminal love/hate relationship of a generation. Tomorrow is 6 mo. into 2011, so let's hold a reflective cell phone surface to some randoms and assess whether or not we should continue, get a mortgage, have kids, shall we?

Incoming:

"Call me!"
"And I need to tell you probably the sluttiest thing [name redacted] has ever done"
"Apparently when I came out of anesthesia I was demanding to see the hospital's make up artist."
"Omg – my hair looks sooooo 90s tonight"
"Whatever, get up off my dick, bitch"
"Yay for looking like an Arab!"
"Reenacting dead squirrel with loaf of bread"
"Thinkin bout makin my move tonight. I can't pretend that ur only my friend when ur holdin my body tight."
"Well I'm just sitting here with a vine around my neck talking to the gals about boobs."
"I can get mescaline if yr interested"
"Get a grip on yourself, child. Your life ain't that bad, geez! Just look at Billy who's roommate-girlfriend is flirting behind his back with a nerdy computer inventor; Sydney who has to sell her body to pay the rent; Jo who's boyfriend left her for the evil landlord after his motorcycle shop burned down; Jane, who's husband not only cheated on her but then slept with her sister once they got divorced; Kimberly, who fell in love with a married man and subsequently was killed by him in a car accident!!!!!!"
Outgoing:
"Okay, I"ll just be watching Snapped"
"J(ew).Crew"
"Nicole and I just got Cold Stone and are completely regretting it. We feel...drunk."
"C'mon, my mom has bootleg Gnomeo on DVD!"
"Omg, barista just fainted." [2 min. later] "Okay, she's back up. Redeemed."
"Morning. I'm irritated."
":(( dude, we R 2 wild"
"Oh God, I'm already snuggling with my dogs"
"Whole Foods needs to get laid"
"Let me get the door, I think it's the Pulitzer Prize knocking!!"
"Which is weird since I ate my weight in cereal in the dark"
"NEVER WATCHING TOP CHEF AGAIN"

5/26/2011

Carpe Diem: Seize the (weird) day

1. Alarm clock didn't go off. Woke up three hours late. Carpe diem. Today's gonna be great!

2. Found a random girl sleeping in our living room (courtesy of my brother). She still had her fake eyelashes on. Get it, gurl. :-//

3. Walking to work and a homeless tranny says, "Hey, big dick" to me. Um, good morning to you to, Mr/Ms.

4. Checked my email and had 4 LinkedIn requests. LinkedIn. Requests.

5. One of our older writers comes up to my desk, says an entire sentence in German, and then leaves. Our paper is literally out of its mind.

6. Told myself I needed a cup of coffee because coffee cures all. Brought it back to work to find it had been leaking through the bottom quietly the entire time. My cup of coffee is mocking me.

I've only been up an hour. Can I get a witness?

5/21/2011

10 Rapturous things I want to do before the End


TEN COMMANDMENTS: RAPTURE EDITION

1. You shall press play (see: the celestially above), stand in a circle, spin until your head hurts, fall into a fresh-cut baseball field and just surrender to the gravity of David Bowie's "Heroes" and the Earth, since that's something you haven't done since you were like, eleven.

2. Thou shalt delete math from my life. Useless. Don't need it.
(Except for this whole 10 Commandments part. But that's it!)

3. You shall be able to communicate with your dogs telepathically.
This would make laughing during Happy Endings less lonely. And because if
Man's Best Friend(s) doesn't want to hear about all our insecurities,
then who would? Hey, Dogs Everywhere, why're you running away??!

4. You shalt learn all the words to a Nicki Minaj verse, create a YouTube video of you rapping as such and become "famous" because that's what our generation does these daze, I think...

5. Honor thy body. Logic says it's your last day, so eat some cupcakes deep fried inside another cupcake, right? Wrong! Um, Earth to Matthew... you do that every day!! Instead, eat an avocado sandwich, a ginger wasabi salad, a macadamia nut chocolate, do a pushup or two and then wonder why you never did this once when you had all the time to because someone just asked for your number, you idiot!
(I draw the line at bikes, though. Apocalypse schmapocalypse, I like my car. Sorryyyyyy.)

6. THOU SHALT NOT DIFFUSE MY NATURAL ENTHUSIASM FOR WHATEVER I WANT.

7. You shall reconsider hating that person you love to hate. So boring.

8. Thou shall download Woody Allen's Midnight in Paris into my brain already
'cause I really want to see that.

9. Thou shall stop bloggin' and start livin'. Right after that part where I say...

10. Thou shall buy that plane ticket to [insert destination], learn a new language, open a café, find that one person, tell someone you love them, do that thing because whether the World kabooms or not, you never believed in concepts like a Final Destination anyway, so what're you waiting for?

5/11/2011

An unabridged interview with Margaret Cho

The first time I met Margaret Cho was in a public library. Freshmen year of high school, I was really into reading celebrity biographies at the time (no friends, whoops) and arbitrarily borrowed her book I'm The One That I Want. LOL'ed my way through that during many a study hall. Failed Pre-Alegbra.

The first time I saw Margaret Cho live was my freshmen year of college. It was on the last day of those orientation weeks colleges have for freshmen. It was like our university took us on all these way formal tours of classrooms and bookstores and dorms, and then shoved Margaret at us with her jokes about drugs, sexual experimentation and hating Bush, as if to say, "Okay, but, seriously though, this is what college is gonna be like, here's a bill for $43,353,981,982." I can still see/hear her killer Bjork impression, which I can't find on YouTube anywhere (wtf, YouTube?!) so it's one of those you had to be there situations.

The first time I spoke with Margaret Cho was last month (edited version here). She has a new concert film/album out called Cho Dependent. It was on the morning of 4/20. Neither of us were high.















MATTHEW DEKNEEF: Hey, Margaret. Happy 4/20.
MARGARET CHO: Thank you. That’s…so nice. (Laughs)

For the record, I’m not high. That said, I have the most important question to ask you. In Cho Dependent, you’re wearing this necklace with a dog’s portrait in it... Who is that adorable dog?!
That’s my dog! That’s Ray who died a couple of years ago, but he was my best friend and he was the best dog ever and I wrote a song about him on my album actually that I sang with Fiona Apple where she plays his voice. He’s just the cutest and I love that necklace. Someone made that for me. It’s really beautiful.

Kathy Griffin was just in Hawai‘i. I recently read she’s going to be on Drop Dead Diva this season.
Yeah, she’s great. She’ll be here soon. She hasn’t filmed it yet, but I’m really looking forward to her coming. She’s just a wonderful person. We just had today on our show Wanda Sykes who was on set, and I’m hoping to see her later. But, yeah, I love that we got to have all these great female comics on and I love that.

Cho Dependent is world premiering at the Honolulu Rainbow Film Festival. Margaret Cho and rainbows seem to get along.
Yeah, I’m excited to have it premiere in Hawaii because I love that place so much, so it’s really great that it’s going to be there and I hope everybody loves it.

Sweet. The film incorporates a lot original music. You’re known largely for stand-up, so this is a different direction for you.
Yes. You know I wanted to do an album of really beautiful music, but at the same time was still what I do as a standup comic, so it’s just adding onto what I do anyway. The show and film Cho Dependent itself, it’s really the tour of the album. I sing in it a little bit, but it’s all standup comedy too. I really loved making the record. It was really, really amazing.

It shows in the production value. I was surprised it wasn’t song parodies, which is what I expected. I mean, the album sounds like real music – not that it wouldn’t have sounded like real music otherwise. I don’t know what I’m trying to say, but it’s starting to sound rude. (Laughs)
No, no, I know what you mean. It’s very lavishly produced. It’s really all the people that I love musically that I listen to all the time and who I’m fortunate enough to be friends with, people who’ve helped me with the record. So it was just a lot of different people, a lot of different sounds and coming together and doing something funny, but had a lasting value to it. It was a really ambitious project.

I’m curious how you approached the artists you collaborated with. Did you just call up Ani DiFranco and was like, “Morning, Ani. I have this song about cameltoes. Breakfast?”
(Laughs) Yeah, well Ani I’ve known for a long time, so I toured with her and I’ve always had such a great love for her music for many, many years. Some other people I was very good friends with like Jon Brion, Grant-Lee Phillips, Garrison Starr. They’re really close friends of mine who I’ve talked about writing with for a long time too. And then I also got to meet some new people as well and work with them and it was just kind of like that. Just calling people up and saying, “Hey, let’s do a song, and this is what the lyrics are, let me hear what you think.” It was really cool.

People know you and people have an idea of these artists, so there’s an unexpectedness that meets in the middle, which is really fun.
Yeah, it was coming together and doing something that we wouldn’t normally do. But we also had a really joyous time doing it. And that’s really cool, you know. And I think everyone really loved the collaborations and I was welcomed into everybody’s studios and really helped me along in my journey musically. They taught me how to sing and how to play.

Some of your singer/songwriter collaborators–Rachel Yamagata, Fiona Apple, Andrew Bird–are known for crafting these really personal, honest songs. But listening to your album, there’s a song you wrote called “Lice” and it struck me. I’ve never been in a poignant long-term relationship, but I have had head lice three times in my life, so that shit is real. Too real.
(Laughs) Yes, it’s too real. That’s so funny.

Also too real is your singing voice. You have a really good voice!
I am from a signing family. You know, my mother is a singer and I grew up within a very sort of church-bound family, so there was a lot of church happening, so there was a lot of music happening all the time. If anything then, that’s probably more of my background than comedy, you know? But I knew that I had the physical ability to sing, but really also didn’t work on it very hard. But people always very surprised by my voice. They don’t expect to come out of my, uh, face. I’m real Susan Boyle in that way.

Since I’m the One that I Want, the undertone of your comedy has always seemed to be about self-empowerment. Is that the same message with Cho Dependent?
Yeah, well I think that the message of it is really a lot of different things. For instance like, talking about addiction, the different forms that you can have, the addiction to drugs, addiction to people, to relationships, or an addiction to an idea. So the statement of a lot of the songs are about that. You know, for me, it’s also a kind of addiction to working, or to growing and to progressing and wanting to change creatively and to challenge myself. And this album was full of challenges in terms of learning how to play and record and to feel like I could do this with all these amazing artists. It was a really amazing thing to accomplish.

That’s cool you’re still able to experiment in your career. Sounds like you’re in a great place creatively. That openness has been present in your work from the start, which makes you hard to define. It’s sort of pointless for me to sit here and ask you, “What is Cho Dependent? Is it songs or is it stand-up? Are you straight or are you gay or are you whatever James Franco is?”
Yeah, it’s everything! It’s about everything. We can be gay, we can be straight, and as a comic, we can be ambitious, we can do it all. I think it’s really all about what’s inside your heart and the sincerity you put into it, which is a big deal for me.

I love that sentiment about “everything.” Do you think we’re still a labels-driven society or are we moving past that?
I think that people are definitely want to direct towards labels or want to label themselves and I think that’s limiting. I don’t think we necessarily need them as readily, but some people find a lot of comfort in labeling themselves and they need that definition and I think that’s fine. I think it’s a matter of staying true to what you want to say and what you want to be.

Is that the case for somewhere like Peachtree City, Georgia where you shoot Drop Dead Diva?
It’s very different, you know. I definitely learned a lot living out in the south, and I really changed, you know. I’ve really come to a kind of understanding of why social conservatism exists and what it means and how weird it is in trying to change it from the inside out, you know. What’s great is that I don’t really live in Peachtree anymore, I live in Atlanta, which is such a progressive and queer and liberal city. Especially being in the south and the way that it is a very unusual thing to experience, so I’ve found a lot of joy here and a very happy experience.

Not to make a sweeping generalization, but how prevalent is homophobia there?
I think it’s totally prevalent outside Atlanta. There’s so much confusion and fear about it. There just isn’t a real community present, so gays feels very isolated in these small southern towns. Southerners all have like a real solid core of geniality, which is something I really appreciate. There is a great kindness to people. There just needs to be more sensitivity and visibility for gays and lesbians out in these small towns. It’s tough.

By talking about your experience as a woman, an Asian and being open-minded sexually, that’s sort of what you do with your comedy. Creating this visibility for those who are “different.” Do you consider yourself to be a political comedian?
I think I am political. I mean, I’m a political person, so definitely my comedy is something that I would have to say is a political statement in and of itself because of who I am and what I’m saying. You know, I think it’s my responsibility to be political as a woman, as an Asian-American, as a queer activist, as a comedian, there are a lot of different things that I identify as and a lot of those happen to be a part of the “other” category, so I definitely need to represent myself and just need to talk because voices are really limited out there.

It’s weird to me people could be so shocked a Korean woman is speaking her mind. You know, my grandma is one hundred percent Korean and she’s probably chaining herself to a nuclear power plant as we speak. It’s 10:30 in the morning here, by the way.
I love that your grandma is political! That’s really great. I think we definitely need to have more of a voice and for women it’s vital, Asian American women especially.

5/08/2011

4 most played bands, songs, and albums in my car in April

CATHERINE WHEEL
FERMENT (2010 Reissue)

I've had an IV set up that pumps my veins with "Intravenous". Been inhaling that song all month. It's basically been my life support. Think I want to have a royal wedding to it. I just feel so elevated listening to these guys and I haven't hit the ceiling yet. If you listen to one song in this entire post, let it be that one.


THIRD EYE BLIND
BLUE (1999)

Like a true blue twentysomething, I was probably feeling all inexplicably nostalgz after having attended another bday party where a close friend turned 24 (start writing that will, amigo!). And like many a 7th grade boy, 3EB (tee hee, such a fanboy) was so alive to me then, musically, so I figured that now at 23-going-on-70 this would make them the perfect Rx/therapy.

From what I remember Blue was not well received by critics–but then again what sophomore album is well received by Allmusic?though I can understand why. I mean, they had a song on here that was like 10 minutes long or something?? It's like Stephen Jenkins went from "Semi-Charmed Life" to "Semi-Charmed SERIOUS" and it sorta dilutes why you did your chemistry homework to this stuff in the first place. Regardless, I'm comforted to know I can still zen out on their first two albums (the only ones that "exist" in my opinion) occasionally and not even care how much a few songs resemble some "real mad frat shit, bro" as a post-college graduate.


THE SWIRLIES
BLONDER TONGUE AUDIO BATON (1993)

An intern turned this on to me. (More importantly, if you treat your interns LIKE HUMAN BEINGS and for instance invite them to lunch when everyone else goes to lunch then they can teach you a few things about, say, good music and it makes for better office output and efficiency. /obvious) The Swirlies is like a riddled case of what came first: The chicken, or the egg, or the My Bloody Valentine? I don't know/care; I just know it soothes me in stop-go traffic. That said, file this under: "You've Had the Internet for 10 Years and Only Know About This Now?!" Whoops.


THE WHITE WIRES
GIRLY GIRLY GIRLY (2009)

Fun + (f)un x fun = the equation to one of my new fav bands of recent memory. Simple melodies. Catchy guitar riffs. Strained vocals. Vaguely dorky. I think I could trade Pokémon cards with these guys and gal, if they'd stop acting so cool in between sets I bet. And yes, you saw that right, I put the accent mark over the "e", thanks for still being my friend and pretending like you didn't.